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The history of oil painting is as old as the history of mankind itself as is proved by the grottos which have survived to this day to serve as a link between the present and the past. Our earliest ancestor, the cave man, took a lot of pleasure in expressing himself through artistic and detailed depictions by using substances found in nature to serve as paints. Thus, the first generation of oil paints which were mixtures of assorted animal fats, stains and earth came into being and were primarily used for decorating the walls of the caves with images reflective of that era. It has been rightly remarked that the art of a particular era is a true reflection of the existing circumstances of that era and in this respect these prehistoric depictions not only indicate the importance of art but also provide a deep insight into the psyche and circumstances of the ancient artists.
As the civilization grew and spread all over the world, the manufacture of oil paints was considered to be a part of chemistry and was considered to be at par with the process of evolving medicines. Oil painting was particularly popular amongst the oldest civilizations of southern Europe namely the Greeks, the Egyptians and the Romans who prepared oil paints from mineral pigments, bee wax, vegetable oils and tempera. The binders which were used during that era in conjunction with these oil paints were organic and rich in proteins since they were derived from animal sources like eggs, milk or animal glues.
This practice continued till the arrival of the Renaissance period in the 15th century when olive oil was introduced as being the medium for preparing oil pigments. Although this was readily accepted as a technique and soon gained wide prevalence, it had one major drawback which was extremely discouraging for artists. The drying time taken by olive oil-based pigments was very long which made oil painting an extremely tedious activity especially in case of figures. This prompted not only the artists but other elite men of the era as well to look for a more convenient alternative which would provide impetus to this form of art.
The honor of having discovered the new technique of oil painting involving the use of linseed oil during the 15th century goes to a Belgian painter named Jan van Eyck. Although the use of linseed oil was believed to have been prevalent among oil painting artists, it was van Eyck who was the first to experiment successfully with this technique apart from proving the usefulness of walnut oil and poppy-seed oil as well in generating dazzling oil colors. Since then innovation and constant evolution became the name of the game in the field of oil painting with famous artists like Antonello da Messina, Leonardo da Vinci and Rubens all contributing significantly towards improvement of this medium.
These oil painting techniques which were discovered centuries ago are still in vogue among oil painters all over the world and form the fundamentals of this form of creativity. Although modern times have resulted in the introduction of contemporary techniques, the traditional methods which were evolved in the past have remained steadfast through the echelons of time and are universally used by artists because of their variety, depth, durability and intensity.
Now that Summer is here and cabin fever has sunk in, many of us are just itching for some better weather and a chance to get outdoors to do some location painting. For those of you who usually work in a studio, give plein air painting a try. It creates a spontaneity to your work that’s impossible in a studio as you try to capture the immediacy of the moment. Your work will be looser because you have to work quickly in order to respond to changing light, weather conditions, and deepening shadows.
There are, of course, painters who just can’t stand being tied to a studio and who paint outdoors even in the coldest weather. I chuckled when I read a diary entry by Canadian plein air artist Sylvio Gagnon. It records his experiences this winter painting along the Rideau Canal in Ottawa. His comments about suspicious looks and funny reactions made me smile. I think anyone who has ever painted in a public place, particularly in the wintertime, will appreciate his humor.
Painting outdoors can be overwhelming. There’s so much to see that you may have trouble isolating your “picture”. Grab your sketchbook and make small sketches or thumbnails of your surrounding area. Sketching a variety of scenes, quickly, will help you loosen up and focus on what you really want to paint – remember that your most successful paintings will always be something that you feel connected with so let something “call” to you before you start painting. Explore the environment before you get down to the actual painting.
Starting a painting outdoors puts a whole different light on a sheet of blank paper or canvas. See beyond the subject that you’re painting. Don’t just think of the facts in front of you – the trees, buildings, sky, or water. Instead, think in terms of shape, mass, color, value, size, rhythm, harmony, and repetitive themes. Try squinting. Squinting helps you see the large masses and eliminates the smaller values, colors, and shapes. You’ll see the overall picture, not the details.
Follow this study that I did of the waves off of Rockaway Beach, which proves that you can find “wild” scenes even in Manhattan. It shows the simple steps for isolating the picture. I find the wide expanse of sea disconcerting, so my first step is to add a horizon line, with an indication of waves. I put in a couple of light washes to differentiate the sky from the rest of the picture.
The next step added a blue-black wash to further define the wave line and separate the sky further. A rough pencil sketch defines the line of rocks – the masses of the study were in place.
The next step puts broad washes of color into the pencil sketch and heightens the depth of the waves and portions of the sky. The rocks, the water surrounding them, and the waves further back are defined. At this point, you’re now ready to go in and add the details.
I do several studies in rapid succession, limiting myself to about ten minutes per study. The speed encourages spontaneity and loosens me up. They’re great for overcoming that fear of white paper and you’ll find that after doing several of these, you’ll have found the “picture” that you want to paint.
The other tip I’d like to share is that it’s not necessary to paint exactly what you see. The building that you’re painting might have a roofline with a strange angle to it or an oversized chimney. Recreating the scene, exactly as you saw it, will probably look like a mistake in your finished painting. Correct that angle, downsize the chimney if it looks proportionately large, pull in some extra foliage to cover something distracting, or juxtapose an object into your painting that didn’t exist at the location – taking liberties like this creates art, not simply a picture.
Hints for making your plein air painting experience enjoyable
There’s nothing worse than painting outdoors and having your creativity cramped by the weather conditions. For your comfort for a day-long painting session, make sure you bring along:
Sunblock, including Chapstick and/or sunblock for lips.
Wear layered clothing. As the day warms up you can shed a sweater or jacket. Always make sure you have warmer clothing in case the temperature cools down. Hats with visors, such as baseball caps, not only offer you some protection from the elements but shade the sun from your eyes. Squinting is good but not because of the sun.
Fingerless gloves are great for painting outdoors. They provide warmth but allow full motion of your fingers.
Water bottle. If you’re using any kind of water-media, this is a necessity but bring along a cup for yourself.
Don’t forget to bring…
A fancy, portable easel or stand, complete with space for paints, palettes and all your equipment, makes life a lot easier if you’re painting outdoors on a frequent basis. If you don’t have one, here are some things that you can do to create a makeshift working area and organize your gear.
Foam core, if painted on both sides with acrylic paint, is waterproof. It makes a sturdy support for painting. Use two boards, painted both sides, for transporting watercolor paper and paintings.
Use a roomy bag, satchel, or knapsack to transport your paints, brushes, pencils, etc. Keep this bag stocked with duplicates of everything you use in your studio.
One of the most important items to keep in this bag is four rust-proof clips. These are great for clipping watercolor paper to your support but all painters will find a use for them in windy weather.
Umbrella, particularly black umbrellas, can be used to shield your painting surface from the sun’s reflection.
If you buying new supplies think about buying things that, while suited for studio use, would also be really handy for outdoor painting. Palettes and paint trays with covers are an obvious choice or plastic storage bottles for extra paint mixtures. There are all kinds of supplies designed for plein air painting.
Take advantage of the upcoming good weather. Get outside and paint.
Getting bored from the conventional method of painting and require a change? Then, splatter painting might be the change that you simply need. It is among the ideal methods to include numerous shapes and make arbitrary patterns inside your painting. Splatter painting provides a completely numerous impact than a typical paint and brush technique. It scatters the coloring droplets of diverse sizes, various from huge to small, all close to the wanted surface area and provides it a specific and numerous shapes. Splatter painting methods are also employed for internal painting, decorating a surface area or painting the fabrics. It provides a numerous character and adds existence towards an object. You can attempt out numerous paint splattering methods to provide a brand name new search for your surrounding. So, are you currently prepared for splatter painting?
Cover the surface area from the space having a sheet and put on an older shirt prior to you start. Maintain the cuttings of numerous shapes (of your choice) within the painting surface. Dip the brush in your paint and maintain it facing toward the painting surface. Rub your finger within the bristles inside your path permitting the paint to splatter close to the shape. Now, eliminate the slicing and you also will discover the splatter painting search as though little streamers have been completely scattered around. There are numerous methods of performing splatter painting. Subsequent are some splatter painting methods to provide a numerous search for your creation.
It is among the most well-known and typical methods of paint splatter techniques. For this, you just require paintbrushes and paints of numerous colors. To provide numerous results towards painting, you can use brushes of numerous sizes. Drinking water or glaze might be employed to produce the paint slim to make sure that you can splatter it in the far better and less difficult way.
This is truly a really basic along with a conventional method of spatter painting using the support of toothbrush. Toothbrush splatter is profitable if you have used up a little undertaking like painting on the pot or even a paper. For this, you require a versatile toothbrush and colors. Dip the brush in coloring and rub within the bristles to produce numerous patterns or you may rub it on the gauze mesh positioned within the best from the cardstock and enable it to splatter the coloring within the surface.
Stencils for Shape
To alter the search of your painting, you can use numerous shapes or objects of regular use to produce a stencil for splattering. For example, in the occasion you desire to create a pattern of leaves, for this, you can draw a form of the leaf or take 1 from outside. Stick the form on the wall or even the drawing sheet and spatter the coloring close to it.
Drop the Paint
This splatter painting method permits big drops to scatter within the surface. Dip a brush in paint and shed it within the surface area by providing a slight jerk for your wrist. Enable the paint to shed and operate all close to the sheet by shifting it in numerous directions. This method doesn’t require any toothbrush, a mesh or even a stencil to splatter.
Let’s be children again. You can use your arms and feet to produce a fascinating pattern. Dip your palms and feet into the coloring and operate it within the painting surface area or even the drawing sheet providing it absurd shapes and images. You would adore it.
Splatter Cloth Painting
You may paint a T-shirt or even an attire of yours by making use of any of those above-mentioned splatter painting techniques. You can use stencils to paint a little component of your sneakers or shorts as well.
Splatter painting is awesome fun. You just require thoroughly clean and blank thoughts on which you can produce a picture of your desire making use of any color. This painting understands no guidelines and has no restrictions to restrict it. There are several splatter painting methods that might be produced by making use of your imagination. It doesn’t call for any particular art work skill, but certainly, it does call for creativity. Take satisfaction in splatter painting!